DONIZETTI OPERA 2025: THE FIRST EDITION WITH NEW ARTISTIC DIRECTION BY RICCARDO FRIZZA
Four titles for three new stagings that revolve around the theme of "marriage" addressed in different facets: at Teatro Donizetti Caterina Cornaro and Il furioso nell'isola di S. Domingo and at Teatro Sociale the diptych formed by Il campanello and Deux hommes et une femme In the main roles great performers such as Carmela Remigio, Mariangela Sicilia, Paolo Bordogna, Alessandro Corbelli, Vito Priante, Enea Scala and Bruno Taddia, who will be joined by younger performers such as Riccardo Fassi and Giulia Mazzola and the students of the Bottega Donizetti On the podium, in addition to artistic and musical director Riccardo Frizza, two young talents such as Alessandro Palumbo and Enrico Pagano Signing directors Francesco Micheli, Manuel Renga and Stefania Bonfadelli Bergamo, November 14 to 30, 2025 Tickets on sale from June 21, 2025 It will be the first edition signed by Riccardo Frizza, in the dual role of artistic and musical director, that of Donizetti Opera 2025, an international festival dedicated to the famous Bergamasque composer that will enliven the theaters of the "City of Gaetano Donizetti" from Nov. 14-30. Donizetti Opera is organized by the Teatro Donizetti Foundation of Bergamo chaired by Giorgio Berta with the general direction of Massimo Boffelli, with the support of the City of Bergamo. It is also made possible thanks to the support of Allianz(Main Partner of the Donizetti Theater Foundation of Bergamo), Intesa Sanpaolo, SIAD and a growing number of partner companies and realities adhering to the Donizetti Ambassadors project that support the festival through Art Bonus. "The program of Donizetti Opera 2025," comments Riccardo Frizza, "already reflects the path indicated by the three-year guidelines we presented last January and on which we have worked carefully in recent months, starting with a greater internationalization of the festival. In fact, in addition to the co-production with the Teatro Real in Madrid, among the most prestigious theaters in the world, this vision is also embodied in the collaboration with Opera Rara, which will allow audiences to hear, over a three-year period starting this year, the complete Romanze by Donizetti, including some in world premiere, within the Sunday morning concert series. In addition, the focus on Donizetti's voice and music is the beating heart of the initiatives on the bill: the four operas, all proposed in new stagings, feature casts made up of internationally renowned artists flanked by young talents, whom a festival has a duty to promote and help discover. I am thinking of my two podium colleagues, Alessandro Palumbo and Enrico Pagano, and then of Carmela Remigio, Mariangela Sicilia, Paolo Bordogna, Alessandro Corbelli, Vito Priante, Enea Scala, Bruno Taddia, who will work with Giulia Mazzola, Riccardo Fassi and the talented students of the Bottega Donizetti, a fundamental reality for the formation of a generation of artists who will know how to tackle the Donizetti repertoire with awareness. Attention to young people will also see the imminent opening of an exceptional call for proposals, aimed at librettists Under 35, for the new young opera















