{"id":33004,"date":"2024-10-17T12:42:07","date_gmt":"2024-10-17T10:42:07","guid":{"rendered":"https:\/\/www.teatrodonizetti.it\/seasons-and-festivals__trashed\/piano-festival\/"},"modified":"2024-10-17T12:42:07","modified_gmt":"2024-10-17T10:42:07","slug":"piano-festival","status":"publish","type":"page","link":"https:\/\/www.teatrodonizetti.it\/en\/seasons-and-festivals\/piano-festival\/","title":{"rendered":"Piano Festival"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 hundred-percent-fullwidth non-hundred-percent-height-scrolling fusion-equal-height-columns\" style=\"--awb-border-sizes-top:0;--awb-border-sizes-bottom:0;--awb-border-sizes-left:0;--awb-border-sizes-right:0;--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:0px;--awb-padding-right:0px;--awb-padding-bottom:0px;--awb-padding-left:0px;--awb-margin-top:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_2 1_2 fusion-one-half fusion-column-first\" style=\"--awb-padding-top:15%;--awb-padding-right:15%;--awb-padding-bottom:15%;--awb-padding-left:15%;--awb-bg-color:#ececec;--awb-bg-color-hover:#ececec;--awb-bg-size:cover;--awb-margin-bottom:0px;width:50%;width:calc(50% - ( ( 0 ) * 0.5 ) );margin-right: 0px;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-column-wrapper-legacy\"><div class=\"fusion-column-content-centered\"><div class=\"fusion-column-content\"><div class=\"fusion-text fusion-text-1\"><h2 style=\"text-align: left;\">PIANO FESTIVAL<\/h2>\n<p>The Brescia and Bergamo International Piano Festival is one of the world&#8217;s major events dedicated specifically to the piano, understood both as a solo instrument and as a prestigious interlocutor of great orchestras. Created in 1964 on the initiative of Maestro Agostino Orizio, the Festival has been measuring the pulse of international pianism by hosting the most famous orchestras and soloists in the splendid settings of Brescia&#8217;s Teatro Grande and Bergamo&#8217;s Teatro Donizetti for fifty years.<\/p>\n<\/div><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:13px;--awb-content-font-size:15px;--awb-icon-alignment:left;--awb-hover-color:#f9f9f9;--awb-border-color:#cccccc;--awb-background-color:#ffffff;--awb-divider-color:#e0dede;--awb-divider-hover-color:#e0dede;--awb-icon-color:#ffffff;--awb-title-color:#333333;--awb-content-color:#747474;--awb-icon-box-color:#333333;--awb-toggle-hover-accent-color:#be1a00;--awb-title-font-family:&quot;Raleway&quot;;--awb-title-font-weight:300;--awb-title-font-style:normal;--awb-title-font-size:20px;--awb-content-font-family:&quot;Open Sans&quot;;--awb-content-font-style:normal;--awb-content-font-weight:regular;\"><div class=\"panel-group fusion-toggle-icon-boxed\" id=\"accordion-33004-1\"><div class=\"fusion-panel panel-default panel-60206c70ebe0a3c83 fusion-toggle-no-divider fusion-toggle-boxed-mode\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_60206c70ebe0a3c83\"><a aria-expanded=\"false\" aria-controls=\"60206c70ebe0a3c83\" role=\"button\" data-toggle=\"collapse\" data-target=\"#60206c70ebe0a3c83\" href=\"#60206c70ebe0a3c83\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">DISCOVER MORE.<\/span><\/a><\/h4><\/div><div id=\"60206c70ebe0a3c83\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_60206c70ebe0a3c83\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>Not only the greatest pianists have appeared at the Festival, from Arturo Benedetti Michelangeli, star of the first five editions, to Magaloff, from Richter to Arrau, Pollini, Ashkenazy, Radu Lupu, Zimerman, Brendel, Martha Argerich, Evgenij Kissin, Grigory Sokolov, as well as instrumentalists, singers, and conductors of the caliber of Mstislav Rostropovich, Mischa Maisky, Uto Ughi, Luciano Pavarotti, Riccardo Muti, Claudio Abbado, Gergiev, Giulini, Sawallisch, Solti, Maazel, and Chung. Prominent among the orchestras are the Berliner Philharmoniker, the Vienna Philharmonic, the Chicago Symphony Orchestra, the London Symphony, the Philadelphia Orchestra, the Israel Philharmonic, the St. Petersburg Philharmonic, the National de France, the Orchestra dell&#8217;Accademia di Santa Cecilia in Rome, and the Filarmonica della Scala. One of the features that distinguish the Festival from other similar events is its thematic character, with a common thread that, from time to time, focuses on a particular author, cultural milieu, or historical period.<br \/>\nAmong the Festival&#8217;s most successful editions are the piano integrals of Schumann, the complete works of Debussy, Chopin and Brahms, and monographs devoted to Beethoven and Mozart.<br \/>\nIn 1986 the Festival received the Abbiati Prize from the Italian Music Critics and the Liszt Medal from the Hungarian Ministry of Culture. Since 1987 it has belonged to the European Festivals Association. A founding member of Italiafestival, it is placed under the High Patronage of the President of the Italian Republic and in 1992 received the High Patronage of the President of the European Parliament. The Festival in recent years has experienced major changes with the handover, as far as artistic direction is concerned, from Agostino Orizio to his son Pier Carlo and with the appointment as president of Andrea Gibellini, who succeeded Filippo Siebaneck. Under Pier Carlo Orizio&#8217;s leadership, the Festival has taken a new path combining contemporary music and great classical repertoire as happened, for example, in the 2007 edition that juxtaposed the figures of Beethoven and Arvo P\u00e4rt, in the 2008 edition focused on Chopin and Bernstein, and in 2009 with the participation of Tan Dun as part of the 46th edition dedicated to China. The 2012 edition will be remembered in the annals for the exceptional prologue featuring Riccardo Muti and the Chicago Symphony Orchestra in Brescia. In 2013 the Festival celebrated 50 years of history with a celebratory edition that had among its high points the presence of Polish composer and conductor Krzysztof Penderecki and that of the London Symphony Orchestra led by Antonio Pappano.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_2 1_2 fusion-one-half fusion-column-last cover_featival_stagione\" style=\"--awb-padding-top:100px;--awb-padding-right:100px;--awb-padding-bottom:100px;--awb-padding-left:100px;--awb-bg-image:url(&#039;http:\/\/www.teatrodonizetti.it\/wp-content\/uploads\/2021\/02\/Alexander-Malofeev-con-la-Filarmonica-del-Festival.jpg&#039;);--awb-bg-position:center center;--awb-bg-size:cover;--awb-margin-bottom:0px;width:50%;width:calc(50% - ( ( 0 ) * 0.5 ) );\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-column-wrapper-legacy 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PROMOTIONS<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":33273,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"folder":[],"class_list":["post-33004","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.teatrodonizetti.it\/en\/wp-json\/wp\/v2\/pages\/33004","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.teatrodonizetti.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.teatrodonizetti.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.teatrodonizetti.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.teatrodonizetti.it\/en\/wp-json\/wp\/v2\/comments?post=33004"}],"version-history":[{"count":0,"href":"https:\/\/www.teatrodonizetti.it\/en\/wp-json\/wp\/v2\/pages\/33004\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.teatrodonizetti.it\/en\/wp-json\/wp\/v2\/pages\/33273"}],"wp:attachment":[{"href":"https:\/\/www.teatrodonizetti.it\/en\/wp-json\/wp\/v2\/media?parent=33004"}],"wp:term":[{"taxonomy":"folder","embeddable":true,"href":"https:\/\/www.teatrodonizetti.it\/en\/wp-json\/wp\/v2\/folder?post=33004"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}