Nest of ingenuity.<\/strong><\/h1>\nTheater is a door to the imagination, a place to come to terms with reality and<\/p>\n
Be carried away in the mechanical cunning of art.<\/p>\n<\/div><\/div><\/div><\/div><\/div>
From up there, inspiration governs and protects the magic of theater. <\/strong><\/h3>\nIn an ethereal place, inaccessible except through the creative genius of those who choose to rely on their whims, the muses weave and move the threads of each performance. The artist’s skill lies in surrendering to them, being guided and seizing white spaces where others see obstacles.
\nBut in the trellis, above the stage, other figures also move in the service of the creative spark. Also invisible but decidedly more corporeal, the theater technicians move from axis to axis animating cables, equipment and tools in the success of the show. As art lovers we want to pay homage to them, for without them it would be impossible to witness the many faces of creativity.<\/p>\n<\/div>
<\/div><\/div><\/div>![](\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\")
<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\nFrom up there, inspiration governs and protects the magic of theater. <\/strong><\/h3>\nIn an ethereal place, inaccessible except through the creative genius of those who choose to rely on their whims, the muses weave and move the threads of each performance. The artist’s skill lies in surrendering to them, being guided and seizing white spaces where others see obstacles.
\nBut in the trellis, above the stage, other figures also move in the service of the creative spark. Also invisible but decidedly more corporeal, the theater technicians move from axis to axis animating cables, equipment and tools in the success of the show. As art lovers we want to pay homage to them, for without them it would be impossible to witness the many faces of creativity. <\/p>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>Graticcia – New automations.The graticcia is a structure with a very special floor placed above the stage.<\/strong><\/h3>\nIt is composed of numerous wooden joists about 8 centimeters wide, all parallel to the proscenium. Between one plank and the other is an empty space of the same width as the joists, the structure thus appears as a lattice that constitutes the ceiling of the stage. The lattice is indispensable for the success of the performance, through it in fact it is possible to install and move the different backdrops, scenes and suspended machines that go to make up each set. It is an extremely technical space, in which those working in it must be able to work in total comfort and efficiency, which is why it has undergone renovation work that has included the refurbishment of all technical and mechanical systems and the complete replacement of the entire motor unit.<\/p>\n<\/div>
From up there, inspiration governs and protects the magic of theater. <\/strong><\/h3>\nIn an ethereal place, inaccessible except through the creative genius of those who choose to rely on their whims, the muses weave and move the threads of each performance. The artist’s skill lies in surrendering to them, being guided and seizing white spaces where others see obstacles.
\nBut in the trellis, above the stage, other figures also move in the service of the creative spark. Also invisible but decidedly more corporeal, the theater technicians move from axis to axis animating cables, equipment and tools in the success of the show. As art lovers we want to pay homage to them, for without them it would be impossible to witness the many faces of creativity.<\/p>\n<\/div>
<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\nFrom up there, inspiration governs and protects the magic of theater. <\/strong><\/h3>\nIn an ethereal place, inaccessible except through the creative genius of those who choose to rely on their whims, the muses weave and move the threads of each performance. The artist’s skill lies in surrendering to them, being guided and seizing white spaces where others see obstacles.
\nBut in the trellis, above the stage, other figures also move in the service of the creative spark. Also invisible but decidedly more corporeal, the theater technicians move from axis to axis animating cables, equipment and tools in the success of the show. As art lovers we want to pay homage to them, for without them it would be impossible to witness the many faces of creativity. <\/p>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>Graticcia – New automations.The graticcia is a structure with a very special floor placed above the stage.<\/strong><\/h3>\nIt is composed of numerous wooden joists about 8 centimeters wide, all parallel to the proscenium. Between one plank and the other is an empty space of the same width as the joists, the structure thus appears as a lattice that constitutes the ceiling of the stage. The lattice is indispensable for the success of the performance, through it in fact it is possible to install and move the different backdrops, scenes and suspended machines that go to make up each set. It is an extremely technical space, in which those working in it must be able to work in total comfort and efficiency, which is why it has undergone renovation work that has included the refurbishment of all technical and mechanical systems and the complete replacement of the entire motor unit.<\/p>\n<\/div>
\nBut in the trellis, above the stage, other figures also move in the service of the creative spark. Also invisible but decidedly more corporeal, the theater technicians move from axis to axis animating cables, equipment and tools in the success of the show. As art lovers we want to pay homage to them, for without them it would be impossible to witness the many faces of creativity.<\/p>\n<\/div>
From up there, inspiration governs and protects the magic of theater. <\/strong><\/h3>\nIn an ethereal place, inaccessible except through the creative genius of those who choose to rely on their whims, the muses weave and move the threads of each performance. The artist’s skill lies in surrendering to them, being guided and seizing white spaces where others see obstacles.
\nBut in the trellis, above the stage, other figures also move in the service of the creative spark. Also invisible but decidedly more corporeal, the theater technicians move from axis to axis animating cables, equipment and tools in the success of the show. As art lovers we want to pay homage to them, for without them it would be impossible to witness the many faces of creativity. <\/p>\n<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>Graticcia – New automations.The graticcia is a structure with a very special floor placed above the stage.<\/strong><\/h3>\nIt is composed of numerous wooden joists about 8 centimeters wide, all parallel to the proscenium. Between one plank and the other is an empty space of the same width as the joists, the structure thus appears as a lattice that constitutes the ceiling of the stage. The lattice is indispensable for the success of the performance, through it in fact it is possible to install and move the different backdrops, scenes and suspended machines that go to make up each set. It is an extremely technical space, in which those working in it must be able to work in total comfort and efficiency, which is why it has undergone renovation work that has included the refurbishment of all technical and mechanical systems and the complete replacement of the entire motor unit.<\/p>\n<\/div>
\nBut in the trellis, above the stage, other figures also move in the service of the creative spark. Also invisible but decidedly more corporeal, the theater technicians move from axis to axis animating cables, equipment and tools in the success of the show. As art lovers we want to pay homage to them, for without them it would be impossible to witness the many faces of creativity. <\/p>\n<\/div>\n<\/div>