Immagine evento

CATERINA CORNARO

Cast

Conductor Riccardo Frizza
Director Francesco Micheli
Set designer Matteo Paoletti Franzato
Costume designer Alessio Rosati
Lighting designer Alessandro Andreoli
Dramaturge Alberto Mattioli
Visual designer Matteo Castiglioni
Assistant director Paola Brunello
Assistant costume designer Stefania Coretti


Characters and performers

Caterina Cornaro Carmela Remigio
Andrea Cornaro Fulvio Valenti
Gerardo Enea Scala
Lusignano Vito Priante
Strozzi Francesco Lucii
Mocenigo Riccardo Fassi
A Knight of the King Francesco Lucii
Matilde Vittoria Vimercati


Donizetti Opera Orchestra
Accademia Teatro alla Scala Chorus
Chorus Master Salvo Sgrò

New production by Fondazione Teatro Donizetti in
co-production with Teatro Real in Madrid

Synopsis

In Venice, the ambassador Mocenigo bursts into the ceremonial hall where the wedding between Caterina and Gerardo, a young Frenchman, is being prepared and causes the ceremony to be suspended. In a private conversation with Andrea Cornaro, Caterina's father, Mocenigo reveals that the Council of Ten has authoritatively assigned Caterina to the King of Cyprus, Lusignan. After the annulment of the marriage, Caterina and Gerardo plan to elope, but Mocenigo prevents them and warns Caterina that any attempt to evade the decision of the Venetian government would result in Gerardo's murder: she will have to make him understand that she no longer loves him and will have to send him away forever. Caterina receives her beloved while Mocenigo's soldiers, hidden, spy on the meeting. Gerardo endures Caterina's false confession with disarmed consternation.

Some time later, in Cyprus, Mocenigo plots to stir up an uprising to make Venice master of the island, and to eliminate Gerardo, who is there to meet Catherine and force her to confess the true reasons for her sudden refusal. Lusignan, the legitimate king of the island, now aware that his marriage to Caterina is part of a Venetian plot, nevertheless manages to foil the ambush set by Mocenigo against Gerardo, not yet knowing, among other things, the sentimental relationship between him and Caterina. For his part, Gerardo, knowing the identity of the man who saved his life (and stole his betrothed), puts aside his resentment: the two swear mutual support against the common enemy Mocenigo, the expression of Venetian power.

Gerardo asks the queen for an audience and is recognised by her. The still living love makes the meeting very intense and painful, but both know they must sacrifice it to the moral obligations they are bound to towards Lusignan. Gerardo reveals to Caterina the plot to eliminate the king, but is interrupted by Mocenigo, who tries to involve Caterina in the revolt, on pain of being accused of betrayal of her husband; Lusignano himself intervenes in defence of the bride: by now the games are exposed, war with Venice inevitable.

While a battle rages, the ladies of the court, in desperate consternation, describe the turmoil around them. Catherine prays for her husband, and rejoices when she is joined by the victorious inhabitants and warriors of Cyprus; but her joy is short-lived: Lusignan, mortally wounded, drags himself towards her supported by Gerard. He came, dying, to entrust her with the fate of her people, in the name of regained freedom. Catherine does not back down: she asks the people of Cyprus, gathered around her as their new queen, for a pledge of allegiance.

Date

Details

Show Duration:
130 minutes (including intermission)

Price
da € 20,00 a € 120,00

Categories:
2025 Opera

Location

Organiser

Cast

+ Familie Flöz

HISTORY Flöz has its roots in the Folkwang-Hochschule in Essen, the only state-run training institute for theatre of body expression in Germany. In 1994 the first performance of the play ÜBER TAGE took place in the Great Hall of the Folkwang-Hochschule, followed in 1995 by the shortened version FLÖZ & SÖHNE. In 1996, the premiere of the play FAMILIE FLÖZ KOMMT ÜBER TAGE took place at the disused 'Hannover' mine in Bochum, a homage to the work culture and mining industry in the Ruhr region. The play was hailed by press and public as a great success and inspired the name of the group in 2003. Flöz is the name of a geological layer containing valuable raw materials. In 1998, the group produced its second show, RISTORANTE IMMORTALE, staged in the Maschinenhaus in Essen with a revamped ensemble. RISTORANTE IMMORTALE began its tour in Spain with three weeks of performances and became a guest at the Festival de Otoño in Madrid; in 1999 it was staged in Berlin for the first time. On the occasion of its debut at the Edinburgh Fringe Festival in 2001, the group gave itself the name Flöz Production, later transformed into the current Familie Flöz. In 2000 and 2001, the productions TWO% - HAPPY HOUR and TWO% - HOMO OECONOMICUS were created in Essen and Dortmund. The play TEATRO DELUSIO, which was staged for the first time in 2004 in the Arena Berlin, was again a great international success. In 2006, two new productions were born: INFINITA, the premiere of which took place at the Akademie der Künste in Berlin, and HOTEL PARADISO, which premiered at the Admiralspalast in Berlin. The current version of HOTEL PARADISO was staged for the first time in the Theaterhaus Stuttgart in 2008 with a new company line-up. In the framework of 'Duisburg European Capital of Culture', the first version of GARAGE D'OR was staged in 2010 at the Theater Duisburg, and its Berlin premiere took place in 2011 at the Volksbühne. The second version of the play, which premiered in 2012 at the Theaterhaus Stuttgart, was recorded for the documentary Behind the Mask - The Theatre of the Familie Flöz (original title: Hinter der Maske - Das Theater der Familie Flöz) made by arte TV and WDR. The premiere of the film took place in Leipzig, during the euro-scene festival. In 2013, to enthusiastic response from press and audience and the Off Critic Prize, Festival d'Avignon, Flöz concluded its premiere at the Avignon Festival. November 2014 saw the release of the new production HAYDI!, which won the 2015 Monica Bleibtreu Award for 'Best Comedy'. At the 2015 Edinburgh Festival Fringe HOTEL PARADISO performed for three weeks in front of sold-out theatres. Familie Flöz has to date toured with its plays in 34 different countries. APPROACH TO THEATRE Familie Flöz makes theatre using means that come 'before' spoken language. Every conflict manifests itself first of all in the body. Bodily conflict is the origin of every dramatic situation. All plays originate from a creative collective process, in which all performers also act as authors of figures and situations. In the course of several improvisations, the group identifies a theme, gathers dramatic material and discusses it at length, before bringing masks into play. Similar to a text, a mask carries not only a form, but also a content. The process of developing a mask, from the experimentation on stage to the actor/mask symbiosis, is decisive for the outcome. The fundamental paradox of the mask, i.e. concealing an animated face behind a static form and with it creating living figures, is a real challenge for the actor to take up. And not only for him. The mask comes to life first and foremost in the imagination of the spectator, who in this way also becomes its creator to a certain extent. Also receptive to the reactions of the spectators, with a critical eye always on his own work, all Flöz productions are often modified over time, thus developing their fullness and intensity.

+ Riccardo Frizza

+ Francesco Micheli

+ Matteo Paoletti Franzato

+ Alessio Rosati

+ Alessandro Andreoli

+ Alberto Mattioli

+ Emanuele Agliati

+ Giulio Arnofi